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However, this 2001 animated version comes to us by way of a 1949 manga novel that was only ever inspired by author Osamu Tezuka’s childhood imaginings of what the movie could be about, having only seen stills of it in magazines. You certainly can’t escape the fact that the source material for this movie is Fritz Lang’s 1927 science fiction classic of the same name. Rather than being any sort of outright remake, Metropolis stands as a wonderfully realized blind interpretation of a classic piece of cinema. As with any art form, however, it’s not all amazing work, but how the hell do you cut through the crap and find the gold? Well here’s a list to get you going. But what of the source material? Sure, you’re acutely aware that anime is more than “just Japanese cartoons” and that it’s a diverse, poetic, and deeply artistic branch of cinema and TV. That critical gaze spans across the anime genre, too, thanks to live-action remakes of Japanese classics like Ghost In The Shell and Netflix's Death Note. Then, there are the times it doesn’t go so well – like Spike Lee’s completely unnecessary remake of Park Chan-wook’s South Korean revenge masterpiece Oldboy (although watching Josh Brolin chew the scenery for 104 minutes is not without its charm). Sometimes, the Hollywood treatment does a good job – like when Scorsese turned Hong Kong crime thriller Infernal Affairs into his Oscar-winning The Departed. Especially when it comes to making English language versions of brilliant moments in Asian cinema. Let’s face it, Hollywood is no stranger to remakes.